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Analytics Table:William Goldstein - Topic
| Date | subscribers | views | videos | Estimated Revenue |
|---|---|---|---|---|
Aug 5, 2026 Aug 5 Wed | 75 -- | 548K +175 | 1.03K -- | $0 - $0 |
Aug 4, 2026 Aug 4 Tue | 75 -- | 548K +283 | 1.03K -- | $0 - $1 |
Aug 3, 2026 Aug 3 Mon | 75 -- | 548K +717 | 1.03K -- | $1 - $1 |
Aug 2, 2026 Aug 2 Sun | 75 -- | 547K -- | 1.03K -- | -- |
Aug 1, 2026 Aug 1 Sat | 75 -- | 547K -- | 1.03K -- | -- |
Jul 31, 2026 Jul 31 Fri | 75 -- | 547K +277 | 1.03K -- | $0 - $1 |
Jul 30, 2026 Jul 30 Thu | 75 -- | 547K +22.8K | 1.03K -3 | $16 - $46 |
Jul 29, 2026 Jul 29 Wed | 75 -- | 524K +320 | 1.03K -- | $0 - $1 |
Jul 28, 2026 Jul 28 Tue | 75 -- | 523K +403 | 1.03K -- | $0 - $1 |
Jul 26, 2026 Jul 26 Sun | 75 -- | 523K +206 | 1.03K -- | $0 - $0 |
Jul 25, 2026 Jul 25 Sat | 75 -- | 523K +265 | 1.03K -2 | $0 - $1 |
Jul 24, 2026 Jul 24 Fri | 75 -- | 523K +267 | 1.03K -- | $0 - $1 |
Jul 23, 2026 Jul 23 Thu | 75 -- | 522K +200 | 1.03K -- | $0 - $0 |
Jul 22, 2026 Jul 22 Wed | 75 -- | 522K -26.2K | 1.03K -- | -$53 - -$18 |
Jul 21, 2026 Jul 21 Tue | 75 -- | 548K +347 | 1.03K -- | $0 - $1 |
Jul 20, 2026 Jul 20 Mon | 75 -- | 548K +210 | 1.03K -- | $0 - $0 |
Jul 19, 2026 Jul 19 Sun | 75 -- | 548K +308 | 1.03K -- | $0 - $1 |
Jul 18, 2026 Jul 18 Sat | 75 -- | 548K +366 | 1.03K -- | $0 - $1 |
Jul 17, 2026 Jul 17 Fri | 75 -- | 547K +289 | 1.03K -- | $0 - $1 |
Jul 16, 2026 Jul 16 Thu | 75 -- | 547K +304 | 1.03K -- | $0 - $1 |
Jul 15, 2026 Jul 15 Wed | 75 -- | 547K +261 | 1.03K -- | $0 - $1 |
Jul 14, 2026 Jul 14 Tue | 75 -- | 546K +301 | 1.03K -4 | $0 - $1 |
Jul 13, 2026 Jul 13 Mon | 75 -- | 546K +317 | 1.04K -- | $0 - $1 |
Jul 12, 2026 Jul 12 Sun | 75 -- | 546K -5.26K | 1.04K -- | -$11 - -$4 |
Jul 11, 2026 Jul 11 Sat | 75 -- | 551K +374 | 1.04K -- | $0 - $1 |
Jul 10, 2026 Jul 10 Fri | 75 -- | 551K +139 | 1.04K -- | $0 - $0 |
Jul 9, 2026 Jul 9 Thu | 75 -- | 550K +335 | 1.04K -- | $0 - $1 |
Jul 8, 2026 Jul 8 Wed | 75 -- | 550K +243 | 1.04K -- | $0 - $0 |
Jul 7, 2026 Jul 7 Tue | 75 -- | 550K -- | 1.04K -- | $385 - $1.10K |
| Daily Average | -- | -62 | -1 | $0 - $0 |
| Weekly Average | -- | -429 | -3 | $0 - $1 |
| Last 29 Days | -- | -1.77K | -9 | $1 - $4 |
Income Estimates for William Goldstein - Topic
Based on William Goldstein - Topic's total view count of 548K views and industry-standard rates, this YouTube channel has generated an estimated total earning of $384 - $1.09K through ad revenue. Historical data is not yet available to calculate daily, weekly, or monthly averages.
About William Goldstein - Topic
Explore William Goldstein - Topic's YouTube presence with 75 subscribers and 1,031 videos. Experience the cumulative impact of 548,635 views across their engaging content.
William Goldstein has scored over 50 Movie and Television projects, including Fame and The Miracle Worker. He has been a recording artist for both Motown and CBS Masterworks. His own label is distributed worldwide by The Orchard with over 60 albums currently available averaging 6,000,000 streams monthly. He has written on the arts for The New York Times and The Los Angeles Times. He has been a pioneer in the use of computers and electronic instruments in music. Since 2011 he has received international recognition for his ability to create music in real time, continuing the tradition of the great 18th and 19th century composer pianists. "Iāve never before encountered anything as intimate as William Goldsteinās practice of ācollaborative composition." The notion of creating a piece of music in the moment was central to First Impressions, Goldsteinās 1999 album of improvised solo piano pieces. The next step occurred in 2011, when he was serving as jury president of a music competition in Poland. ā[There] I first learned that my ability to create in real time was not common amongst my colleagues.ā One might not understand why this came as a surprise, given that jazz is an improvisatory art and that classical music contains many great improvisersāone can visualize Schubert at a party inventing German dances from the keyboard. But what Goldstein had in mind was literally dual composition in the moment by two performers acting as composers." --Huntly Dent, Fanfare Magazine
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