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Greek tragedy has been performed, read, imitated and interpreted for twenty-five hundred years. From the very beginning it was thought to be philosophically significant—somehow pointing to the truth of human life as a whole (the phrase the "tragedy of life" first appears in Plato). As a literary form it is thought especially revealing philosophically by Aristotle, Hegel, Nietzsche and Heidegger to name only a few. Among others, Seneca, Corneille, Racine, Voltaire, Goethe, Shelley, O'Neill and Sartre wrote versions of Greek tragedies. And, of course, there is Freud. Greek tragedy examines the fundamental things in a fundamental way. Justice, family, guilt, law, autonomy, sexuality, political life, the divine—these are its issues. The lectures that follow treat three plays by each of the great Athenian tragedians—Aeschylus, Sophocles and Euripides—with a view to understanding how they deal with these issues and with the question of the importance and nature of tragedy itself.

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