Based on Carbon Based Lifeforms - Topic's current view metrics and industry-standard rates, this YouTube channel generates an estimated daily income of $9 - $26. Weekly earnings are projected at $63 - $180, while monthly revenue estimates range from $271 - $773. The total estimated earnings from all 14.9M views amount to approximately $10.4K - $29.9K.

Explore Carbon Based Lifeforms - Topic's YouTube presence with 1,678 subscribers and 199 videos. Experience the cumulative impact of 14,978,089 views across their engaging content.

Carbon Based Lifeforms (CBL) are Johannes Hedberg and Daniel Segerstad (né Ringström), both born in 1976 and based in Göteborg, south­west Sweden. They met when both 15 and are still, amazingly, working happily together, over 20 years later. CBL itself was formed in 1996, as an offshoot from other projects, but it soon became their focal point, culminating in their first release on ‘mp3.com’ in 1998. Even before this, 1996’s “The Path” is their unreleased and highly sought­after demo that any listeners fortunate to hear the contents will immediately recognise as the genesis of the group’s unique sound. The duo signed with the celebrated Lyon­based ‘Ultimae’ label in 2002 and have since released four official, full­length albums: ‘Hydroponic Garden’ in 2003, ‘World of Sleepers’ in 2006, ‘Interloper’ in 2009 and ‘Twentythree’ in 2012. Their music has been extraordinarily well received by connoisseurs within the ambient scene and clearly beyond, since in 2012 they were also commissioned to write the soundtrack to the independently­produced movie ‘The Mansion’, whose release date will be announced in due course. In addition to their own work, they have actively participated in successful collaborations with several other artists, including Magnus Birgersson of Solar Fields in a project to compose the music for the Swedish dancer Olof Persson’s ‘Fusion’ performance in 1999. Johannes and Daniel aim to combine earth and space in their music. Using the combination of nature and technology as the main inspiration for their work, they like to represent both the positive and negative effects that this collaboration can lead to, including the negative impact that incorrect technology can have on the environment. Through this synergy of ideas, their creations often seem to reflect the natural landscape of the land of their inception; indeed if you listen to ‘Photosynthesis’ on the ‘World of Sleepers’ album then you find yourself feeling genuine concern for the forests. Given the source of the quotation in the song, perhaps this is the point. If so, it’s a damned good one and epitomises the aim of the group in pricking the conscience when it comes to something as critical as the environment. In 2009 they performed at ‘Cosmonova’, the IMAX cinema within Stockholm’s Museum of Natural History, with a backdrop of nature­inspired imagery from across the world ­ and then beyond too, with the International Space Station taking an impromptu tour of the Solar System. CBL’s mu

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