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Analog horror has become massive, does that tell us anything about the future of horror audiovisual content? And what's its current relationship with cinema? Music by me :^) You can find it on Bandcamp! https://muldered.bandcamp.com/ (this was originally a university project, it's also my first time editing) 00:00 opening 00:26 introduction 02:41 Skinamarink 06:47 Kane Pixels 10:30 The two Alexes 16:30 is this cinema? 18:20 What's so special about A.H.? 19:49 Frick major film studios Background forest video taken from Rambalac's "Japan - Walking at night in Aokigahara forest (no pranks, not scary. ASMR?)・4K" https://www.youtube.com/watch?v=hqsQY-QXI2U&ab_channel=Rambalac Monument Mythos edit by grsilo740: https://www.youtube.com/watch?v=tBAMnGloLD8&ab_channel=grsilo740 Other trailers are from the respective creators cited. Bibliography: - N. BAUMBACH, False Movements: Or, What Counts as Cinema for Deleuze?, in «Discourse», Vol. 36, No. 2, Spring 2014, Wayne State University Press, pp. 261-270. - U. ECO, Postscript to The Name of the Rose, San Diego CA, Harcourt, 1984. - K. HUGHES, Ailing Screens, Viral Video: Cinema's Digital Ghosts in Kiyoshi Kurosawa's "Pulse", in «Film Criticism», Vol. 36, No. 2, Winter 2011/12 , Allegheny College, pp. 22-42. - W. STRAUVEN, Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet, in Preserving and Exhibiting Media Art. Challenges and Perspectives, Amsterdam University Press, pp. 59-79.
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