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Explore Boots Riley: All Films Are Propaganda. Here's Why | Ash Sarkar Meets Boots Riley with 69,740 views, 946 likes, and 99 comments. Experience the impact of this video content that has captured audience attention.

You’ve probably heard of Boots Riley’s work – Sorry To Bother You starring LaKeith Stanfield was a surprise hit, and his series I’m A Virgo got picked up by Amazon Prime. But the Oakland-raised rapper-turned-director doesn’t just want you to leave the cinema having had a good time: he wants you to start a revolution. His new film I Love Boosters – starring the incredibly charming Keke Palmer – is about three women who shoplift from high end boutiques, and sell the clothes at a cut price in the hood. But it wouldn’t be a Boots Riley film if it stopped there. What starts as a paean to shoplifters turns into a story of working class shop floor organisation - and international communist action. Is all art propaganda? Is shoplifting a revolutionary act? What role does style play in the revolution? And what’s it like being the most high profile communist in Hollywood, in Trump’s America? Spoilers Warning: Information about the plot is disclosed at 17:50 – 19:20, 26:40 – 27:50, and 54:10 – 54:50. 00:00 Introduction 00:53 What’s It Like Being a Communist in Hollywood? 02:24 The Contradictions of Having Radical Politics Under Capitalism 03:23 “Suits for Rage”: The Contradictions We All Embody 08:27 How Boots Riley Became Communist 09:03 Exposing Injustice Isn’t Enough: Action is Needed 11:24 What Actually Makes People Join Movements? 13:08 Hollywood’s Problem With Radical Politics 20:10 On Craft, Creativity and Alienation 23:08 Boots Riley’s Superhero Origin Story 31:00 General Strike Now! 35:02 Every Film Is Political 42:28 Is the Right Better at Propaganda? 48:05 How the Cops Manufactured a Shoplifting Panic 53:08 It’s All Propaganda Support our work: http://novara.media/support Buy Novara Media merch: https://shop.novaramedia.com/

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