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Social Media Monster #matthewberdyck Analytics Table
Income Estimates for Social Media Monster #matthewberdyck
Based on this YouTube video's total view count of 57.8K views and industry-standard rates, the estimated total earning is $41 - $116 through ad revenue. Historical data is not yet available to calculate daily, weekly, or monthly averages.
About Social Media Monster #matthewberdyck
Explore Social Media Monster #matthewberdyck with 57,881 views, 709 likes, and 435 comments. Experience the impact of this video content that has captured audience attention.
SOCIAL MEDIA MONSTER, a documentary - 89 minutes Stay Tuned after the credits for some bonus material https://linktr.ee/socialmediamonster SYNOPSIS Prepare to pass through the looking glass where one man without a job, living in his car, can leverage a mobile phone and free WiFi at McDonalds & Starbucks to tear apart the fabric of peopleâs lives. And he can do it all without consequences. Meet Matthew, what some might call a Social Media Monster. When Matthew arrived in St. Joseph, Missouri, no one had any idea what was coming, that this one man would use social media to disrupt the lives of so many people. This documentary looks at how one person can get away with incredible amounts of damage and never pay a price, even when he threatens to commit acts of terrorism at a nuclear facility. DEEP DIVE What makes Social Media Monster somewhat unique is the âdeep diveâ elements outside the film. The filmmakers have âbrought the receiptsâ as all the public documents, FBI files, police reports, emails, Facebook posts, and messages are all available online for anyone to confirm the veracity of the film's claims. https://drive.google.com/drive/folders/1qbyNulIhYUcckleZCmpl0pBw7DKX_9l1?usp=drive_link RELEVANCE & CONTEXT Social Media Monsters, and Matthew is hardly the only one, exist in the loopholes between our justice system and companies like Facebook, Google, X, TikTok, Instagram, Reddit, et al. As our society moves deeper into a virtual world, the legislature and law enforcement remain in a 20th century mindset. Social media companies are not required to halt online abuse; they benefit from online fighting as it increases engagement which in turn incentivizes advertising. FESTIVALS AND AWARDS Social Media Monster has been an official selection at 52 film festivals, won 15 awards, and was nominated or a finalist at 17 festivals. We won the prestigious âStranger than Fictionâ award at the New Jersey Documentary Film Festival. BEHIND THE SCENES Given the directorâs personal experience with an internet troll, well, this exact troll, made him want to create a film from the perspective of the average citizen of St. Joseph, Missouri as Matthew started his information warfare and the social media attacks as it unfolded. Matthew is very aware of the film and the situation is ongoing. Director Peter John Ross filed for a Civil Stalking Protection Order against Matthew Berdyck in 2022 and it was granted. Matthew Berdyck now has 4 warrants for his arrest and multiple findings of contempt of court for violating the CSPO. Also a Defamation lawsuit was won against Matthew Berdyck LLC and its officer Matthew Berdyck in June of 2024. All of this has been documented and is being readied as a sequel film or streaming series about the continuing story. ONGOING VLOGS AND MINI DOCUMENTARIES https://www.youtube.com/playlist?list=PLejs_tSsZ9zHSlSq0wOC1PB7Vt93Th0t0 Psychologist Dr. Nuccitelli's iPredator blog on his harassment from Matthew Berdyck here: https://ipredator.co/matthew-berdyck-predatory-troll directed by Peter John Ross produced by Peter John Ross and Isa Rainer co-produced by Alfie Gonzalez & Seth Distelweig cinematography by Seth Distelweig, John Fromes, and Stewart Guy editorial consulting by Garner Quillon featuring music from The Ramey Memo #internettroll #socialmediamonster #cyberstalker #ipredator © Copyright Sonnybooâą All Rights Reserved Âź LEGAL NOTICE: All footage is original or used under Fair Use laws and does not violate anyone's right to privacy as all audio and video was publicly available or signed release forms were signed.
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