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Nina Simone - My Baby Just Cares For Me- Special Extended Smoochtime Version Analytics Table

Income Estimates for Nina Simone - My Baby Just Cares For Me- Special Extended Smoochtime Version

Based on this YouTube video's total view count of 20.9M views and industry-standard rates, the estimated total earning is $14.6K - $41.9K through ad revenue. Historical data is not yet available to calculate daily, weekly, or monthly averages.

About Nina Simone - My Baby Just Cares For Me- Special Extended Smoochtime Version

Explore Nina Simone - My Baby Just Cares For Me- Special Extended Smoochtime Version with 20,954,455 views, 96,748 likes, and 2,677 comments. Experience the impact of this video content that has captured audience attention.

4 All the music lovers!!! Nina Simone /ˈniːnə sɨˈmoʊn/ (born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. She worked in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth child of a preacher's family in North Carolina, Simone aspired to be a concert pianist.[1] Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone said she later found out from an insider at Curtis that she was denied entry because she was black.[2] So as to fund her continuing musical education and become a classical pianist, she began playing in a small club in Philadelphia where she was also required to sing. She was approached for a recording by Bethlehem Records, and her rendering of "I Loves You, Porgy" was a hit in the United States in 1958.[1] Over the length of her career Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach,[3] and accompanied with her expressive jazz-like singing in her characteristic contralto voice. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical.[4] Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.[5]

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