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Explore Take The Long Way Home - Supertramp - François Truffaut films - Jean-Pierre Léaud with 80,001 views, 1,225 likes, and 121 comments. Experience the impact of this video content that has captured audience attention.

NEW VERSION OF THIS VIDEO WITH AUDIO IMPROVED!: https://www.youtube.com/watch?v=MewpgMXDDpg Disclaimer: I own nothing but the editing. The resources used in the video belongs to their respective owners. Edited by Estelle Mccartney written and composed by Roger Hodgson, co-founder of Supertramp - http://www.RogerHodgson.com. This is just a fan video. contact for business [email protected] Check out my mix of Supertramp videos here if you want to: https://www.youtube.com/playlist?list=PLO0l6FguupkxueJtcDLnMsakBz8owK8d4 Here is another video with Jean-Pierre Léaud in the 400 Coups with the School song by Supertramp: https://youtu.be/EvIc6vBxwDI Voici une autre vidéo avec Jean-Pierre Léaud dans les 400 Coups avec la chanson School de Supertramp: https://youtu.be/EvIc6vBxwDI Although Truffaut eventually returned to the character in one short-subject and three full-length films after introducing him in his debut feature, The 400 Blows - Les quatre cents coups (1959). In all, Truffaut followed the fictional life of Antoine Doinel (Jean-Pierre Léaud) for over 20 years, shows him in romance with Christine (Claude Jade) in Stolen Kisses, then the marriage of Antoine and Christine in Bed and Board. And then Jean-Pierre Léaud appeared again in La Nuit américaine ("Day for Night"), SONG: Take the Long Way Home by Supertramp SCENES: La Nuit américaine - Day for Night , Stolen Kisses - Baisers volés, Bed and Board - Domicile conjugal. Wikipedia: "Take the Long Way Home" is the fourth single and sixth track of Supertramp's 1979 album Breakfast in America. Antoine Doine is a fictional character created by French film director François Truffaut. Doinel is to a great extent an alter ego for Truffaut, sharing many of the same childhood experiences, looking somewhat alike and even being mistaken for one another on the street. Stolen kisses - Baisers volés In the third installment, Stolen Kisses (1968), a more mature Doinel attempts to return to civilian life after a dishonourable discharge from the military. His romantic forays are rocky with Christine (Claude Jade), and then his boss's wife (Delphine Seyrig as Fabienne Tabard). Bed and Board - Domicile conjugal In 1970, Doinel and Christine have married in Bed and Board, but Doinel suddenly becomes obsessed with a young Japanese woman (Hiroko Berghauer). Day for Night is a 1973 French film directed by François Truffaut. It stars Jacqueline Bisset and Jean-Pierre Léaud. Its original French title is La Nuit américaine ("American Night"), the French name for the film making process where by sequences filmed outdoors in daylight are shot using a filter placed over the camera lens (the technique described specifically in the dialogue of Truffaut's film) or also using film stock balanced for tungsten (indoor) light and underexposed (or adjusted during post production) to appear as if they are taking place at night. Take The Long Way Home Supertramp subtitulado al español Take The Long Way Home Supertramp Français sous-titré So you think you're a Romeo Playing a part in a picture-show Take the long way home Take the long way home 'Cause you're the joke of the neighborhood Why should you care if you're feeling good Take the long way home Take the long way home But there are times that you feel you're part of the scenery All the greenery is comin' down, boy And then your wife seems to think you're part of the furniture Oh, it's peculiar, she used to be so nice When lonely days turn to lonely nights You take a trip to the city lights And take the long way home Take the long way home You never see what you want to see Forever playing to the gallery You take the long way home Take the long way home And when you're up on the stage, it's so unbelievable, Oh unforgettable, how they adore you, But then your wife seems to think you're losing your sanity, Oh, calamity, is there no way out, oh yeah Ooh, take it, take it out Take it, take it out Oh yeah Does it feel that your life's become a catastrophe? Oh, it has to be for you to grow, boy When you look through the years and see what you could have been Oh, what you might have been, If you'd had more time So, when the day comes to settle down, Who's to blame if you're not around? You took the long way home You took the long way home Took the long way home You took the long way home You took the long way home, so long You took the long way home You took the long way home, uh yeah You took the long way home Long way home Long way home Long way home Long way home Long way home Long way home Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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