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The Cloud Atlas Sextet

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Income Estimates for The Cloud Atlas Sextet

Based on this YouTube video's total view count of 2.95M views and industry-standard rates, the estimated total earning is $2.07K - $5.92K through ad revenue. Historical data is not yet available to calculate daily, weekly, or monthly averages.

About The Cloud Atlas Sextet

Explore The Cloud Atlas Sextet with 2,959,288 views, 31,029 likes, and 1,517 comments. Experience the impact of this video content that has captured audience attention.

Cloud Atlas, in addition to being the name of the novel, is the name of the concerto that Robert Frobisher composes in the "Zedelghem" chapters. Luisa Rey, in the subsequent chapter, searches for a copy of the work after reading about it in Frobisher's letters to Rufus Sixsmith. When she locates one of the few recordings available, she is surprised to recognize it in a deja-vu moment. In the Book In his letters to Sixsmith throughout the book, Frobisher frequently makes attempts at describing the concerto that he is composing. In one instance, he analyzes the work and reveals clear influences: "Echoes of Scriabin's White Mass, Stravinsky's lost footprints, chromatics of the more lunar Debussy, but the truth is I don't know where it came from. Waking dream." In the following excerpt, Frobisher gives a detailed breakdown of the piece's structure, thus revealing that the Cloud Atlas Sextet is in fact a mirror of the novel Cloud Atlas: "Spent the fortnight gone in the music room, reworking my year's fragments into a "sextet for overlapping soloists": piano, clarinet, 'cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor: in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan't know until it's finished, and by then it'll be too late." In the Film For the Cloud Atlas film, director Tom Tykwer was tasked with the impossible- trying to bring the Cloud Atlas Sextet to life. As an accomplished pianist himself, Tykwer composed the entire film's score with partners Johnny Klimek and Reinhold Heil. For the sextet, they attempted to compose the concerto that Mitchell's Frobisher described, finding their results interesting, but unsuitable for a film score. Instead, they created a "Debussy-ish" song where the theme of the story was represented in six sections: Frobisher's initial piano performance A symphony A rendition by a jazz sextet Nursing-home Muzak Futuristic Korean street music A solemn hymn sung by a hoard of clones. -------------------------------------------------- I do not own this song .

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