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20 Years Later: From Apprentice on The Devil Wears Prada to Supervising Sound Editor on the Sequel Analytics Table
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What does it take to build a career in film sound that comes full circle? In this episode of Zebra Spotlight, Atif Ghaffar speaks with Supervising Sound Editor, Re-Recording Mixer, Dialogue Editor and ADR specialist Lidia Tamplenizza. Lidia shares her journey into the world of sound, her passion for ADR (Automated Dialogue Replacement), and the remarkable story of beginning her career as an apprentice sound editor on The Devil Wears Prada in 2006 before returning nearly twenty years later as Supervising Sound Editor on The Devil Wears Prada 2. We discuss the craft of dialogue editing, the role of ADR in filmmaking, working with directors and actors, building a career in post-production, and the lessons learned across an impressive filmography that includes Ripley, Succession, Ma Rainey’s Black Bottom and many more acclaimed productions. Topics Covered • What ADR is and why it matters • Lidia’s journey into sound • The Devil Wears Prada (2006) • Returning for Devil Wears Prada 2 • Dialogue editing and sound supervision • Working with actors in ADR sessions • Career progression in post-production • Advice for aspiring sound professionals Guest Lidia Tamplenizza LinkedIn: https://www.linkedin.com/in/lidia-tamplenizza IMDb: https://www.imdb.com/name/nm0848744/?ref_=ext_shr_lnk Connect https://zebrahomecinema.com
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