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An edited down version of the Eurovision Song Contest 1957 in Frankfurt with a scoreboard using today’s technology. This all started as a lockdown project! This edit will give a flavour of the evening (Sunday 3 March) without any commentary. Welcome back! I have to admit, I did struggle a bit without this project filling my time, but as I am writing this, lockdown in England is easing so things are looking brighter all the time :-) We start with the first recording available, and since it’s quite important to this channel, the first scoreboard. A British import (the idea, that is) that helped ‘Deutsches Fernsehen’ to make the Contest a bit more fun. We arrive in Germany (for the first of only 3 visits so far), not because of success in Lugano but because German television wanted to do their bit and keep the Contest going. Being an active member of European institutions, particularly ones that promote peace, was crucial for Germany and so Hesse Rundfunk stepped in a hosted this second show. Confused by German TV? Well Deutsches Fernsehen is an operating name for ARD, the consortium of different companies that now run the channel called ‘Das Erste’…the first channel. HR, in Frankfurt, was the coordinating broadcaster for German entries into the Contest until 1978. The successful 80s period used BR in Munich, MDR (1992-95) and then NDR from 1996. NDR is the channel that’s showing this re-run of course, and they are based in Hamburg…which explains why we used to see those street parties there in the later Contests! There is a mirror on the UK’s involvement in European things in general in the UK’s early days. The UK entered, fitted awkwardly and then focussed on their own thing. The BBC did return though! The UK entry was just pitched very differently, not only in style, but in substance too. Patricia Bredin sings about ‘the golden dreams of yesterday’, whereas the other entries (that weren’t about ponies or whistling) focused on something new and full of potential. Not impressed by a seventh place finish, or whatever, they didn’t return for 58, preferring to focus on their own ‘Festival of British Songs’. The UK of course returned in 59 and stayed ever since. Germany gets the title of most committed of course, having not thrown a wobbly and only missing out in 1996. Whilst Germany was settling into its European role, Britain (and France) weren’t so sure. This Contest falls two months after the resignation of Anthony Eden after the Suez crisis – military action in Egypt that had wide ranging effects. For Britain and France, as the USSR threatened nuclear action and the US recoiled, the following years would see a speeding up of the end of Empire for the UK and the development of an independent nuclear force for France. The requirement for something in between the US and the USSR would end up speeding up European integration too, and the British trying to work out whether that was the right path to take. For now though, here’s ten songs that won’t reflect the fact that Elvis’s ‘Heartbreak Hotel’ was in the charts at the time. Nunzio Gallo gives the performance of the night but Denmark and Austria added some much-needed flavour for my modern ears. *DESIGN AND THE BOARD* For many, Eurovision 1957 was a radio programme. Typically, a studio, like HR’s, would have about 4 cameras max. I think 40 cameras for a modern Contest is probably an underestimate! TV pictures were limited to 405 lines too, which mean that definition was quite poor. This explains why so many of the shots of the singers are extreme close ups. For graphics, well there was only one way to do that: ’televisualise’ something that’s been physically made. As the picture was quite low definition, around 20% of the screen wasn’t usable for the designers anyway, as different sets would chop of the picture. We see a painted map, with lights that flash for each country, and then the scoreboard, which had a numbering system which involved long straps of black material. Those numbers appear to be in DIN, a font originally made in 1931 from the ‘Deutsches Institut für Normung’ (German Institute for Standardization). It’s been computerised since and is intended of informational signs. It’s a classic German choice for conveying information and would have probably applied to the black card via some sort of transfer. For the other text, which is painted on, I’ve used ‘Grenze’…the German word for border (Omnibus-Type, via Google Fonts). I’ve used a basic design, with muted colours for the flags and functionality that compliments the voting system. All other ‘reorderboard’ features are back, apart from relegation, of course! *TRANSFER NEWS* (source: Wiki) IN: The UK, Austria and Denmark all begin their lengthy Eurovision careers. *INTERVAL ACT* None. *CREDITS* @NATI NATAN for the upload! Flags: countryflags.com All Copyright belongs to ARD. 00:00 Intro 02:41 Song super-cut 19:22 voting intro 20:58 The reorder board 57 31:17 Recap, data & reprise

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