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The SIRUI Astra 50mm Review is here, and in this video I take a detailed look at one of the most interesting modern autofocus anamorphic cinema lenses available for Sony E-Mount cameras. The SIRUI Astra 50mm T1.8 1.33x Full-Frame Autofocus Anamorphic Cinema Lens combines real anamorphic optics, cinematic Blue Flare, a fast T1.8 aperture, professional cine-style construction, and autofocus in a surprisingly practical package. I tested the SIRUI Astra 50mm Blue Flare on the Sony FX30, shooting real-world cinematic footage in the city, nature, daylight, low light, and evening conditions. In this review, you can see how the lens performs with autofocus, shallow depth of field, anamorphic bokeh, horizontal blue flares, close-up shots, and cinematic outdoor footage. One of the most interesting things about the SIRUI Astra series is that it brings autofocus to an anamorphic cine lens. Traditional anamorphic cinema lenses often require manual focusing, which can make them difficult to use for solo filmmakers and content creators. With the Astra, you can combine the distinctive anamorphic look with the convenience of modern autofocus. @SIRUIImaging SIRUI Official Store: Discount code: SCANVERDICT Product link: https://bit.ly/4z21y10 Amazon: Discount code: SCANVERDICT Product link: https://www.amazon.de/dp/B0G64JTKL6?maas=maas_adg_205DC4411B020F1AC9AEDA3DD3DFF6F0_afap_abs&ref_=aa_maas&tag=maas&th=1 I also explain exactly how 1.33x anamorphic de-squeeze works on the Sony FX30 and why the camera's internal anamorphic monitoring mode is not always the best choice. On my Sony FX30, enabling the in-camera de-squeeze display disables autofocus and in-body stabilization. This is especially important with an autofocus cine lens such as the Astra. The good news is that in-camera de-squeeze does not change the actual recorded video file. It only changes how the squeezed anamorphic image is displayed while filming. You can simply record the original squeezed footage, use an external monitor with anamorphic de-squeeze if required, and correct the image later in post-production. I demonstrate this workflow in DaVinci Resolve, showing how easy it is to properly de-squeeze SIRUI Astra 1.33x anamorphic footage and turn the compressed camera image into a correctly proportioned cinematic widescreen image. The video also includes a complete unboxing and close look at the construction of the Astra 50mm, including its metal body, cine-style focus and aperture rings, T1.8 maximum aperture, Sony E-Mount connection, autofocus controls, and Blue Flare anamorphic optical design. I also install and test the SIRUI camera cage for Sony FX30, creating a compact cinema-style camera rig before taking the Astra outside for practical testing. If you are searching for a SIRUI Astra review, SIRUI Astra 50mm review, autofocus anamorphic lens, Sony FX30 anamorphic lens, 1.33x anamorphic lens, Blue Flare lens, cinema lens for Sony E-Mount, or an affordable way to achieve a real cinematic anamorphic look, this video should give you a detailed idea of what the Astra can actually do. VIDEO CHAPTERS 00:00 Cinematic Intro — Shot on SIRUI Astra 50mm 00:30 What Is an Anamorphic Lens? 01:00 SIRUI Astra 50mm Unboxing & Build Quality 05:00 SIRUI Cage for Sony FX30 06:00 Sony FX30 Anamorphic Setup 06:30 Understanding 1.33x De-Squeeze 07:00 Why Sony De-Squeeze Disables Autofocus & Stabilization 08:30 DaVinci Resolve Anamorphic Workflow 09:30 Autofocus Test 10:30 Anamorphic Look & Bokeh 11:30 Blue Flare Test 12:30 T1.8, Sharpness & Close-Up Performance 17:00 SIRUI Astra 50mm Final Verdict The SIRUI Astra 50mm T1.8 Blue Flare is an especially interesting lens for filmmakers who want the classic anamorphic cinema look without giving up the convenience of autofocus. Its combination of 1.33x anamorphic squeeze, T1.8 aperture, autofocus, Blue Flare, full-frame coverage, Sony E-Mount support, and cine-style controls makes it very different from a conventional photography lens. #SIRUI #AnamorphicLens #SonyFX30 #Cinematography #Filmmaking #ScanVerdict

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