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La basílica de Santa María es el primer edificio parroquial de Cataluña edificado en estilo gótico y sigue las pautas constructivas de las iglesias catalanas de nave única: cubierta con bóveda de crucería, pero con una amplia nave de cinco tramos con cinco capillas laterales separadas por unos contrafuertes excepcionalmente gruesos. Se trata de un edificio gótico construido encima de una antigua capilla románica. La fachada principal se inició en el siglo XV siguiendo las pautas del gótico, pero ha sufrido a lo largo de la historia varias intervenciones, la más reciente a principios del siglo XX. La portada de Santa María, en la fachada lateral, era la puerta primitiva de la basílica y todavía conserva restos de pinturas murales del siglo XIV situadas en las dovelas del arco de medio punto. Es de tradición románica tardía y es de finales del siglo XIII. Del edificio destacan algunas singularidades, como la gran variedad de gárgolas, situadas en medio de los contrafuertes y que adoptan formas de animales fantásticos o reales. Destacan también las numerosas esculturas situadas en la parte exterior, justo debajo de la línea de la cubierta, en forma de cabezas humanas, masculinas y femeninas, que podrían representar a los protectores de la nueva iglesia. __________________________________________________________________ The Church of Santa Maria was the first parish church in Catalonia built in the Gothic style and it follows the construction patterns of the Catalan single-nave churches: roof with ribbed vaults, but with a large five-section nave with five side chapels separated by exceptionally thick buttresses. It is a Gothic building constructed on an old Romanesque chapel. The main façade was begun in the 15th century following Gothic lines, but it has suffered different interventions over the course of its history, the most recent of which took place at the start of the 20th century. The gate of Santa Maria, on the side façade, was the original door of the church and still conserves remains of mural paintings from the 14th century situated on the arch stones of the semicircular arches. It is or late Romanesque tradition and dates from the late 13th century. The building has certain striking singularities, such as the large variety of gargoyles, situated among the buttresses and that adopt forms of fantastic and real animals. Also notable are the numerous sculptures around the exterior, just under the line of the roof, in the form of human heads, both male and female, which possibly represent the people who protected the new church.

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