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Once (2025) by Axash

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『山海 · 曾経』*かつて私たちは山と海だった* アニメーション|4分|2024-2025年 *かつて私たちは山と海だった*は、『山海経』に記された「羿が太陽を射落とす」という神話を題材に、意識の誕生、自己定義、そして故郷の精神の回帰をテーマにした現代的な寓話へと昇華させた作品です。太陽、月、山、海、そして植物の成長といった自然の循環を対比させることで、絶えず生成、消滅、そして再生を繰り返す世界認識の場を構築します。「目」と「太陽」の象徴を通して、自己主体が宇宙秩序の中でどのように顕現し、分裂し、そして再編成されるのかを問いかけます。サウンド部分は、オリジナルの実験的な言語である『Once We’re Mountain N’ Sea』を基に、擬似的な聖典的物語『Once We’re Mountain N’ Sea』(関連する一連の棚置き作品)へと展開し、シャーマニズムの詠唱における声の論理を取り入れ、神話、身体体験、そして現代の音響の間に位置する視聴覚的な儀式を形成している。 Drawing on the myth of Hou Yi Shooting the Suns from The Classic of Mountains and Seas, Once We Were Mountain N’ Sea transforms mythological material into a contemporary meditation on the formation of consciousness, the construction of selfhood, and the longing for an originary home. The work situates the sun, moon, mountains, sea, and vegetal growth within a cyclical cosmology of emergence, dissolution, and regeneration, proposing a world in which identity is never fixed but continually in flux. Through the symbolic conjunction of the eye and the sun, the film examines the conditions under which the subject becomes visible, fragments, and reassembles itself within a larger cosmic order. Rather than treating myth as a narrative relic, the work approaches it as a living epistemic structure, one that continues to shape embodied perception and collective imagination. The sound component extends the original experimental language of Once We Were Mountain and Sea Now into The Secret Classic of Mountains and Seas, a text written in a deliberately constructed archaic register that echoes the narrative cadence, cosmological imagination, and compositional logic of ancient Chinese mythic literature. Drawing on the vocal cadences of shamanic chant and re-coded through contemporary sound design, the piece forms an audiovisual ritual at the intersection of mythology, embodied knowledge, and speculative sound.

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