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Explore ‎How to Use  the Mediant Triad in Major Keys‎‎ with 1,485 views, 7 likes, and 0 comments. Experience the impact of this video content that has captured audience attention.

‎Although the mediant is described as midway between the tonic and the dominant, the mediant triad is not always used between the tonic and the dominant triads in harmonic progression.  ‎ ‎Out of the seven triads of a major diatonic scale, the mediant triad appears to be very sensitive and technical in terms of usage. It is built on the 3rd degree of a scale. It is usually a minor triad. It usually comprises a root, a minor 3rd and a perfect 5th. ‎ ‎When using this triad, you are always safe to double the 3rd. Because it is a minor triad, you can double the root, but you have to ensure that you have a contrary motion between the two voices. ‎ ‎Don’t double the 5th since it is the leading tone of the scale. The leading tone is a tendency tone. It usually move to the tonic or uppertonic at cadential points. If you double it, you might have a parallel octave. If it is not a cadence, and you are sure of having a contrary motion between the voices, you can double it. Also, if it's not a cadence, it can move down to the submediant. ‎ ‎In a harmonic progression: ‎▪️you can use the triad triad between the tonic and subdominant chords. Usage example: I - iii - IV. ‎▪️you can progress to the mediant triad from the submediant triad before moving to the subdominant. Example: vi - iii - IV ‎▪️you can use the mediant triad at cadential point in place of either the dominant triad or dominant 7th chord. This kind of cadence is known as a 3rd-relationship cadence (iii -I). It is one of the cadential resources of the Post-Romantic and impressionistic periods of music. ‎ ‎I actually tried this out on the keyboard. For emphasis, It's about how to use the mediant triad (iii) in four-part harmony. The first one is the usage of the chord between I and IV. The second one is about the usage of the chord between vi and IV. The third one is the chord in what is known as third-relationship cadence. ‎#music #musictheory #fourpartharmony #harmonylesson ‎

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