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Explore 45 Ch.18:100 -144 #Udayakumaran goes to meet #Ulaga Aravi to meet #Manimekalai by Prof. S.Raghuraman with 53 views, 1 likes, and 0 comments. Experience the impact of this video content that has captured audience attention.

Chitrapathi tells the prince about the lifestyle of a Kanigai and their traditions, she says Manimekalai is not from a “respectable” family and belongs to a clan of women who move from man to man taking his money. The women form chaste families worship no other god other than their husbands. They are protected at all stages of life. The kanigai dances on the stage using her beauty to lure men into her trap. Note 1: How women were controlled in the olden days and societal rules of how they should behave : In an ancient Tamil text about morals it is said “avoid living with alone even with your own mother” Note 2: In classical dance tradition in Tamilnadu many people still follow the rule where the men and women do not dance together. In the “Kutrala Kuravanji” production of Rukumini Devi, the portions of the song where the men characters come are taken out and only women danced. It was first staged in the days when women who danced were still not accepted as respectable by society. The practice of women dressing up as men was avoided. Only when the “Ramayana” was produced did the male and female dancers appear on stage together, that was accepted since this was a divine story and they played the roles of gods. Note 3: Not all songs can be performed on stage, those songs where “Sringara rasa” is a little more are avoided. Chitrapati, tells the prince that he must punish the women ( Madhavi and Manimekalai) who are knigaigal and behave like high born women and talk about chastity and become monks giving up their hereditary way of life. 38:00:The prince Udayakumaran and Manimekalai meet Convinced and encouraged by the words of Chitrapati, that he must make Manimekalai his lover, Prince Udayakumaran goes to the Chakaraval kottam where Manimekalai was feeding the people at the Ulaga Aravi in his fast horse drawn chariot. Note 4: காடு அமர் செல்வி: In the olden days all societies had female deities. In Tamilnadu she was called the “ One who resides in the forest” as “ Kadukizhavole” and “Kadu amar selvi”. Sheis referred to as “Kotravai” or “Kali”. The word “Kali'' means Black. In Tamil the word “Kaal” means black. It is a word that went from Tamil to the northern languages. He sees Manimekalai standing with the Amudhasurabi in her hands feeding the hungry people like the goddess of forest standing at the Ulaga Aravi. When he saw her he could not control his passion. Note 5: There are some emotions that will never go away in any situation in life, one is hunger. When one is hungry one loses all their dignity and education. Lust is the second one that blinds the person into acting in an uncharacteristic way. He thinks she is a thief who has entered my heart without me knowing it and attracted me. Here she stands alone like a bhikshuni who has done many severe austerities, begging for food and feeding the hungry. This is my chance to ask her why she is doing this. Note 6: God is the only one who can enter one's heart and mind without them knowing it and possess them. Mere mortals cannot do this. In Thevaram we see the words “En ullam kavar kalvan” used by Sambandar. Note 7: Nonbu and Viratham in Hinduism came from Buddhism and Jainist religion. The vedas do not talk about any nonbu or viratham. The ones we follow today are the remnants of these religions in our everyday religious practices. If we take any of the “Fasts” that we follow like the Ekadasi vratham, its origine can be traced to Jainism. He approaches Manimekalai and asks her what happened to you that you became a bukshini at such a young age? Maimekali, realizes that he is her husband from her last birth Rahulan, and bows to him. She is confused by her own thoughts of love for him, and thinks that she will not be able to refuse his advances even if he holds her bangle decorated hands. Note 8: It is not customary for a monk or a “Thuravi'' (sanyasi) to bow before the king. She does so because she respects him from their previous birth. In Shiva aadheenam, and in Smaratha matam the sanyasis do not see their parents especially their mothers since it will put them in the predicament of bowing to their own child. The sanyasis can bow to each other but not to others. Note 9: The mind has both good thoughts and unreasonable ones.... Shivering with confusion, she pushes away these thoughts and advises him saying, I will tell you what I have heard from the monks if your ears are open to my words. .... Note 10: Humans are saddened by all the changes that old age brings. Pattinathar.. Note 11: In Kamba Ramayanam, after Vali is killed Tara laments saying that you did not listen to my advice when I told you not to fight with Sugreva, since he is incapable of fighting you alone and is calling you to battle because he has powerful allies. You did not listen to me and died by Rama’s arrow. .

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