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Some artworks ask us to look. Others seem to open a door. That threshold between the visible and invisible is at the heart of our new Transmute Tapes episode with writer and curator Sarah Elizabeth. Through Unquiet Things and books including The Art of the Occult, The Art of Darkness and The Art of Fantasy, Elizabeth has built a deeply personal world around art, horror, the occult, music, fashion, perfume and the supernatural. Her new book, The Art of the Unknown: A Visual Treasury of the Esoteric, Uncanny and Unexplained, takes that exploration even further. It moves through parallel worlds, hidden forces, ghosts, forgotten knowledge, altered states, ritual and the mysteries of consciousness. What makes the book especially compelling is that it does not treat the unknown as a problem waiting to be solved. Instead, it asks what happens when we simply admit: I don’t know. In our conversation, we talk about the childhood fears that became fascination, the first artwork that truly spoke to her and why human beings are so drawn to darkness, mystery and disturbing images. We also explore the relationship between art and ritual, artists who describe their work as something received rather than invented, and whether contemporary art can help restore a sense of myth and meaning in a culture increasingly shaped by speed, productivity and explanation. That leads us to one of the central questions of the episode: Could one of art’s roles today be to protect the unknown? To create spaces where we are allowed not to understand immediately? We also talk about monsters as containers for collective fears, the anxieties of our technological age, forgotten forms of knowledge, art outside the traditional canon, curation, perfume and the artists, books and other influences inspiring Sarah Elizabeth right now. A conversation about art as threshold, darkness as a way of seeing, and mystery as something worth preserving. Listen to the new episode of Transmute Tapes with Sarah Elizabeth. All episodes on www.maison-douce.com

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