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Underworld & Ø [Phase] - Border Country (#DRIFT Ep.4 Pt.6) Analytics Table
Income Estimates for Underworld & Ø [Phase] - Border Country (#DRIFT Ep.4 Pt.6)
Based on this YouTube video's total view count of 378K views and industry-standard rates, the estimated total earning is $265 - $758 through ad revenue. Historical data is not yet available to calculate daily, weekly, or monthly averages.
About Underworld & Ø [Phase] - Border Country (#DRIFT Ep.4 Pt.6)
Explore Underworld & Ø [Phase] - Border Country (#DRIFT Ep.4 Pt.6) with 378,878 views, 4,720 likes, and 260 comments. Experience the impact of this video content that has captured audience attention.
🔊 'Border Country' from DRIFT, an ongoing experiment that will regularly publish new Underworld material. Music, film and text pieces are created and published every Thursday as part of the band’s on-going, very public recording process. Sign up here to have new music and videos delivered to your inbox every week: https://underworldlive.com/drift-signup/ You can also follow along on Underworlds profiles on... YouTube: https://www.youtube.com/user/UnderworldLiveTV?sub_confirmation=1 Spotify: https://go.underworldlive.com/drift-spotify - - - - - - - - - Border Country is the second collaboration with friend of Underworld and DRIFT community member Ø [Phase] and the final part of DRIFT Episode 4. Lithe and restless, it edges and darts through unmapped spaces into a place where grimy nocturnal electronics are driven hard by fizzing hi hats and multiple voices ricochet in from the peripheries. “We’ve been performing Border Country live since November 2018 and though it had never been released we’ve seen how it instantly connects with audiences everywhere we play.” Karl My relationship with Ashley a.k.a Ø [PHASE] began in Autumn 2017 when I first heard his Submerged Metropolitan release.. it’s not an exaggeration to say I immediately fell in love with his music. There was a sense of journey and mystery and magic to what I heard. Having worked with him for a little while we know he brings that same magic to the table every time, informed by his deep passion and understanding of the lineage of Techno and a thirst to learn and grow. A lovely talented man.” Rick “I got a message from my label manager sometime in late 2017 titled ‘contact re Underworld’. Apparently the guys were keen to meet to “talk about some ideas”… ?!?! Within just a few weeks of first meeting we were in Rick’s studio drinking tea, talking together and working on ideas...Border Country came into being gradually, like a photograph coming softly into focus before sharpening into a crisp image, maturing into its final form.” Ashley Burchett aka Ø [Phase] - - - - - - - - - By the end of the DRIFT series, more new music and film will have been released by Underworld in its one-year duration than in the last fifteen years. DRIFT concludes with the release of the new album DRIFT SONGS on 24th October 2019: http://www.underworldlive.com/drift-songs Ltd. Boxset (Signed & Numbered): https://store.underworldlive.com/cart/product.php?id=46262 Ltd. Edition Coloured Vinyl: https://store.underworldlive.com/cart/product.php?id=46260 Ltd. Signed CD: https://store.underworldlive.com/cart/product.php?id=46253 - - - - - - - - - ABOUT UNDERWORLD Underworld are a true one-off - at home headlining the world’s biggest festivals and events, playing underground techno clubs and warehouses, sound-tracking theatre productions or taking over art galleries, disused shoe shops and Japanese department stores. See more of Underworld's live experience here: https://www.youtube.com/playlist?list=PLehAq9SJvDGgKnMLe1AYgK-4zjS4-y0sV Having cemented their place in the ’90s underground techno scene, the group’s definitive breakthrough came in 1996 when their timeless anthem ‘Born Slippy (Nuxx)’ became the soundtrack of a generation after it was featured in the film Trainspotting. The success of that single catapulted the band from the underground into the heart of the mainstream. The following two decades saw them build on that success while never compromising; selling millions of albums, performing countless sold-out shows, providing scores to productions by Academy Award winning directors Anthony Minghella and Danny Boyle, exhibiting in galleries, and sound-tracking the Opening Ceremony to the London 2012 Olympic Games. The critical and commercial success of the band’s Grammy nominated 2016 album ‘Barbara Barbara, we face a shining future’ saw them headline stages at Coachella, Glastonbury and Summer Sonic. - - - - - - - - - - - - - - - - - - Connect with Underworld: Spotify: https://open.spotify.com/artist/1PXHzxRDiLnjqNrRn2Xbsa Apple Music: https://itunes.apple.com/gb/artist/underworld/996876 Instagram: https://www.instagram.com/underworld/ Facebook: https://www.facebook.com/Underworld/ Twitter: https://twitter.com/underworldlive
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