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The Move - Sunshine Help Me (Original Ep Version)

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Something Else EP: When the Move were reaching the peak of their popularity after a burst of fine psychedelic-tinged power pop singles, they issued this rather odd live five-song 12" EP consisting entirely of covers. If nothing else, it proves the Move were a dynamic live act with an eclectic range, to say the least, as they cover tunes by the Byrds, Love, Eddie Cochran, Jerry Lee Lewis, and Spooky Tooth on this set. They really burn it up, in fact, on the Byrds' "So You Want to Be a Rock and Roll Star" and Love's "Stephanie Knows Who," with spinning and frenetic guitar work. The rest of the set is more routine, coming off more as a tribute to some of their idiosyncratic favorites. Biography by Richie Unterberger: The Move were the best and most important British group of the late '60s that never made a significant dent in the American market. Through the band's several phases (which were sometimes dictated more by image than musical direction), their chief asset was guitarist and songwriter Roy Wood, who combined a knack for Beatlesque pop with a peculiarly British, and occasionally morbid, sense of humor. On their final albums (with considerable input from Jeff Lynne), the band became artier and more ambitious, hinting at the orchestral rock that Wood and Lynne would devise for the Electric Light Orchestra. The Move, however, always placed more emphasis on the pop than the art, and never lost sight of their hardcore rock & roll roots. Formed in the mid-'60s, the Move were so named because the five musicians from the original lineups were moving from established Birmingham groups into a new band. Most of the Move, in fact, had previously recorded flop singles in average, unremarkable British Invasion styles as members of other outfits. Taken under the wing of manager Tony Secunda, the group moved to London and crafted an explosive act, heavily influenced by the Who, which found them destroying televisions on stage. The Move's early singles were also heavily influenced by mod pop in their chunky chords and oddball character sketches, although Roy Wood's songs were much poppier and bouncier than those of Pete Townshend. The Psychedelic Mind Garage: fuzz, garage, acid, punk, and psychedelic rock from mid & late 60s

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