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Explore Blokes, lads and geezers: Working class masculinity on screen | BFI video essay with 7,420 views, 260 likes, and 5 comments. Experience the impact of this video content that has captured audience attention.

From the Woodfall films of the 1950s to Attack the Block, Top Boy and the rise and rise of Danny Dyer today, representations of working class masculinity have evolved rapidly with the times. In this video writer and critic Lou Thomas (@London_Lou) and writer and editor Maha Albadrawi (@malbadrawi) examine what what we're shown of British working class masculinity tells us about the world these men were raised in. Their video was made in support of Acting Hard, a season of films exploring representations of working-class masculinity in British cinema from the Thatcher era to the present, which is taking place at the BFI Southbank throughout September. 00:00 - The rise of Danny Dyer 00:20 - Intro 00:48 - Working class men after the second world war 01:15 - Kitchen sink dramas and The Woodfall films 01:45 - Look Back in Anger 02:40 - The 60s and Michael Caine 04:00 - 1970s austerity 04:19 - Scum and social realism 05:25 - The Thatcher years and Meantime 06:00 - Channel 4 and Young Soul Rebels 06:50 - New Labour and Cool Britannia 07:50 - Enter Danny Dyer 08:00 - Human Traffic 08:30 - Dyer and Nick Love 10:57 - Attack the Block 11:46 - Pretty Red Dress and the new working class man on screen Tickets: dayhttps://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=actinghard&BOparam::WScontent::loadArticle::context_id= Subscribe: http://bit.ly/subscribetotheBFI Claim an extended BFI Player Subscription free trial (UK only) - subscribe using code BFIYOUTUBE: http://theb.fi/player-subscription Watch more on BFI Player: http://player.bfi.org.uk/ Our TikTok: https://www.tiktok.com/@britishfilminstitute Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Instagram: https://www.instagram.com/britishfilminstitute/ Follow us on Twitter: https://twitter.com/BFI

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