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Hanan Hammad- "Unknown Past: Layla Murad, The Jewish-Muslim Star of Egypt" Analytics Table
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About Hanan Hammad- "Unknown Past: Layla Murad, The Jewish-Muslim Star of Egypt"
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When the Egyptian star Layla Murad (1918- 1995) died, the headline on the celebrity magazine al-Kawakib read, “she lived as a Muslim, died as a Muslim, and was buried in the Muslim cemetery.” The headline disputed rumors that Murad returned to Judaism after she had converted to Islam in the 1940s. Questions about Murad’s faith, loyalty to Egypt, connections with Israel, and sexual affairs with elite politicians, including the Free Officers, haunted her life and her legacy after death. Ironically, her Jewish faith never hindered her popularity since launching her singing career in 1932. In over two decades, she starred in 28 films; almost all are classics in the Arab musical cinema. She was the highest-paid star, and her movies were among the highest-grossing at the box office. Her career abruptly stopped in the mid-1950s, and she struggled for decades for a comeback until she eventually died in shadows. Yet, her popularity never faded away. Her fans have kept her one of the most popular and remembered singers in the Arab world, and generations of Egyptians never ceased telling her story until today. I employ the life and legacy of Layla Murad to analyze politics of sexuality, ethnicity, the socio-cultural interaction between Muslims and Jews, and the crucial role popular culture played in constructing an exclusive Arab-Islamic Egyptian identity. Layla Murad’s secret marriage to one of the Free Officers who came to power in July 1952 and went through bitter internal struggles among themselves provides a gendered account of the revolutionary transition into the Nasserist state. In that transition, masculinity, intercommunal love, sex, and personal rivalries played critical roles in shaping public policies and patronage networks. In sum, the life and legacy of Layla Murad provide an excellent example to showcase that Jews of Egypt and the Arab East broadly lived within a web of emotional, social, and institutional relations, thus with multiple and fluid identities, rather than lived under the narrow religious identity.
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