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The Muddled Moral of "tick, tick...BOOM!"

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"Jon did this thing...he would ask himself questions. He would literally write a big question – like a capital-B BIG question – on a piece of paper, and then write his way to the answer, through song." -Lin-Manuel Miranda, interview with GoldDerby, 2021 Jonathan Larson died at age 35, uncertain about what his impact would be. As it turns out, he had a pretty significant one, especially on a young composer named Lin-Manuel Miranda. Twenty-five years after his death, Larson's life was dramatized onscreen, in Miranda's film adaptation of Larson's autobiographical "tick, tick...BOOM!" But what changes when Larson's own anxieties are viewed through the larger context of his life and legacy? Zach Barr (they/them) discusses a film for the first time, diving deep into Miranda's film adaptation to reveal that messages it communicates, intentionally or not, about genius, legacy, friendship, and Sunday brunch. UPDATE: thank you to the comments for making me aware that it was Michael Starobin, not Jonathan Tunick, who orchestrated “Sunday in the Park…” I regret the factual error, almost as much as I regret not getting to use the phrase “Starobinian,” which is a fantastic adjective. Bibliography: https://docs.google.com/document/d/1jcAO52jSbFLwh9bJ-MyKOMo76CBnktjiVo55emGMvxQ/edit?usp=sharing "And Now They Sing" Playlist: https://www.youtube.com/playlist?list=PL4vfdXUW5yrUATqDIsz1d5C8wDdewZflz For suggesting topics: instagram.com/admiralzachbarr For donations: ko-fi.com/admiralzachbarr

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