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Unlock my full pro tools, grading system & community here: https://colorist.inc Most people working in Resolve’s Color page have learned the importance of color management, whether that’s with RCM, CSTs, ACES, or even just a camera manufacturer LUT. But the only thing these standard solutions do is “tick the box”: none of them give us the strong starting image that great grades build on. In this video I’ll walk you through the most common forms of color management — plus the *uncommon* one no one is talking about that can supercharge your grades in less than 5 minutes. Grab Referent, my go-to viewing transform. It’s the heartbeat of the next-level color management I show in this video, and it’s completely free: https://cullenkellycolor.com/toolkit/referent Notes: -I don't show my Project Settings in the video, because they're not affecting my color management since it's all node-based. But here's how you should set things up for best results with things like the HDR Palette and metadata tags in your exports: Project Settings ➡️ Color Management -Color science: Davinci YRGB -Timeline color space: Davinci Wide Gamut Intermediate -Output color space: Rec. 709 Gamma 2.4 -When I'm demonstrating two-stage color management using nodes, this could just as easily be ACES -- the framework, setup, and core problems are the same. ______________________________________________ 0:00 Introduction 0:43 Single-Stage Color Management 4:50 Two-Stage Color Management 9:16 Look + Output Transform 11:34 Terms for display transformations 11:52 Look + Output Transform 12:03 Robusts DRTs vs default solutions 18:02 improving beyond a robust display transformation 19:49 Conclusion

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