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Analyzing Tchaikovsky’s Pathetique - Sonata Forms and Embodiment in the First Movement Analytics Table
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This video is my analysis of the first movement of Tchaikovsky’s 6th Symphony, the Pathetique. Topics covered include embodiment in music, type II sonatas, and semiotic analysis. Chapters Introduction - 00:00 1st Rotation - 01:47 2nd Rotation - 27:40 Conclusions - 41:00 Chopin Ballade #1 and Semiotic Analysis https://www.youtube.com/watch?v=fowONnAX5HU&t=136s The Recording is the 1961 Recording of Mravinsky conducting the Leningrad Philharmonic Artwork is the Painting Anguish by August Friedrick Schenk. Painted in 1878 Sources Daniel Wolfe - Popular yet Denigrated - Dissertation given in partial fulfillment of DMA at University of Houston James Hepokoski and Warren Darcy - Elements of Sonata Theory Steve Larson - Musical Forces Mark L. Johnson - Embodiment in Music The Routledge Companian to Embodied Music Interaction - ed. Micheline Lesaffre, Pieter-Jan Maes, and Marc Leman Marc Leman - Embodied Music Cognition and Mediation Technology Marina Frolova-Walker - Review of Timothy Jackson’s Cambridge Music Handbook on the Pathetique - Music & Letters , Feb., 2001, Vol. 82, No. 1 (Feb., 2001) Abbreviation Guide P0 - Primary Theme Zero Module P - Primary Theme TR - Transition S - Secondary Theme C - Closing Theme #tchaikovsky #chaikovsky #symphony #pathetique #sonataform #sonatatheory #musictheory #embodiment
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