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Explore Eurovision 1960: Songs of Innocence (coming from behind classic!)|Super-cut with animated scoreboard with 20,360 views, 259 likes, and 56 comments. Experience the impact of this video content that has captured audience attention.

An edited down version of the Eurovision Song Contest 1960 on the less glitzy Côte d’South Bank with a scoreboard using today’s technology. This all started as a lockdown project! This edit will give a flavour of the evening (Tuesday 29th March) with the smooth voice of David Jacobs providing commentary. Contingency plans are written for contingencies, and the Eurovision Song Contest is braced for just that. With NTS (Netherlands) facing high production costs so soon after 1958, they passed the baton to the second-place entry from 1959. The ‘winner hosts the following year’ rule is still very new, but the subclauses appear to have worked and allowed the show to go on. With that, the Contest left the borders of the Lugano group for the first time and arrived in its largest venue so far, the Royal Festival Hall. Just 89 days into the swinging 60s, and well, yes, I agree with the published writers that we appear to take a step back with a more conservative appearance for this Contest. I think the finger points mainly to the BBC, who’s stuffy attitude and ‘voice’ had become famous throughout the war years. Gone are the lounge suits of 1957, and now a more formal black-tie look. Broadcasting in the UK was strait-laced and serious, guided by the principles of Reith, the first Director-General of the BBC. This conservatism was reflected politically across the continent at this time (MacMillan, De Gaulle, Adenauer, the Italians, and Dutch) and the BBC produced the show conservatively too: the opening shots match almost perfectly with what RTF achieved in 1959, in fact the show deviates very little, including the retention of a gaudy (in my mind), classical theatrical stage. The BBC did add some improvements though – the stage setting for each song was more adventurous, whether it be mountains for Norway, or flies caught in a net (?!) for Luxembourg. We also see for the first time, a wide shot! So wide (for this recording anyway) that we need the second camera (almost religiously cut to for the second half of the song) to identify the singer’s facial features. Also, I’ve noticed from an alternative commentary version, that David Jacob’s English commentary is actually being piped into the hall. He’s acting more of an extra compère than commentator – we lose him during the voting, which is a shame because it’s a very exciting race once again. I counted five very skippable entries here, with some interest in the almost tongue-twisting ‘Wat een geluk’ from the Dutch (playing on the ‘jn’ ending instead of the ‘je’ ending in Een Beetje) and the debut of Luxembourgish…which didn’t fare well from isolating themselves from French language support. Both interesting entries finished at the bottom of the board. In the end, there were songs more suited to an album for children in ‘Tom Pillibi’ and ‘Looking High, High, High’. Both pleasant enough, but hardly challenging…for that Monaco provides some depth, and with a popular singer in François Deguelt they were rewarded with third place. Switzerland also had a cracking entry. *DESIGN AND THE BOARD* 1960 provided a few issues – there is very little design involved! Yes, a classical stage once again, although we don’t actually see much of it during the song presentation, or the voting (that black board is surrounded by columns etc. There’s no logo commonly presented, although the audience programme did have a musical notes theme. I went a bit meta because I love the image of the commentator’s boxes in the Royal Festival Hall so I decided to use that as a base. For the rest, I played on stark 1950s/60s minimalism – sort of utility I suppose. Everything type related is still hand painted (as you can tell from the varying kerning on the actual board), so I used the free (via Google) Archivo Black as a display font. I ended up quite liking how simple and bold the whole look was, and just as I intend to develop the 59 board for use in 1961, I will take this theme and apply it to 1963. I guess 1963 is really my inspiration (which is a bit naughty), as I know 63 was about promoting BBC Television Centre, so expect to see images of that instead of the Royal Festival Hall. I’ve readded waving flags, as I will to all the BBC boards…as a tiny nod to my favourite in 98. *TRANSFER NEWS* (source: Wiki) OUT: None. IN: Norway, plumping up the Scandi representation to 3, and not a bad result at all! (Joint 4th, although my board places them 5th on the countback) BACK: Luxembourg Total = 11 + LUX + NOR = 13 *INTERVAL ACT* Nada. The running time of the contest is about 80 mins now. *CREDITS* @ESC Stuff for the show upload (commentary), @NATI NATAN for image quality Flags: countryflags.com All Copyright belongs to BBC. Royal Festival Hall image, copyright South Bank Centre. 00:00 Intro 04:29 Song super-cut 20:26 Voting intro 21:10 The reorder board 60 35:36 Recap, data & reprise

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