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Explore Glorious Sitar Jhalla | Ustad Shahid Parvez | Raag Yaman | Music of India with 228,009 views, 3,334 likes, and 125 comments. Experience the impact of this video content that has captured audience attention.

Experience Ustad Shahid Parvez Live in concert at Barbican Centre, London Book Now: https://darbar.org/event/rakesh-chaurasia-shahid-parvez-shakir-khan/ _________________________ “My involvement in music is so much that I do not think of anything else...I do not believe I can live a better life.” (Shahid Parvez). ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer Watch the full performance here: https://bit.ly/3Aufh47 You will find over 200 full raga performances by the best Indian classical musicians in the world. Visit https://bit.ly/3Aufh47 to start your free no obligation trial --------------------------------------------------------------------- Learn more about the music: Musically, Shahid Parvez Khan does not compromise. He is totally dedicated to the sitar, upholding the illustrious traditions of his ancestors while expanding the instrument’s technical boundaries. Critics back in India have described him as ‘Indian music personified’. Born into the legendary Imdadkhani gharana of Uttar Pradesh, he was always expected to carry the family legacy forward. His ancestors gave shape to the modern sitar, redesigning it and formulating the now-distinctive gayaki ang [singing style]. The Khan family includes pioneers such as his uncle Vilayat and his grandfather Imdad, who in 1904 became the first recorded sitarist. His early training was famously demanding. He had to practice for the majority of his waking life, rarely playing outside or socialising with his peers. His father Aziz did not believe in praise, and avoided smiling at his son’s accomplishments despite widespread acclaim as a prodigy. For many the extreme discipline may have poisoned the music, but not for Shahid, who says “my involvement in music is so much that I do not think of anything else...I do not believe I can live a better life.” Khan’s playing reaches scarcely believable standards: “I believe that what you play spontaneously should be perfect. Whatever comes into your mind, you should be able to play it on the sitar. It is now a complete instrument - by which I mean you can replicate any aspect of vocal music on it.” He feels no need to dabble with fusion music, saying that Hindustani music “is like a great ocean - you can spend a lifetime exploring it and will not run out of space.” Technical innovations set his style, with unique picking patterns and overtone whispers that glide upwards and spiral into silence. Today he sits at the pinnacle of Hindustani music, touring widely while also finding time to teach at his eponymous SPK Academy in Arizona (“I do not teach for money - it is my passion”). But it is only the music which motivates him: “I always want to proceed, and overcome whatever boundaries I come across. But the direction is never pre-planned. It is about the green light. I don’t have to wait for it to flash - I have reached a level where it is always on. There are no shortcuts to this place, but it must be the goal.” Here he plays a jhalla [strong rhythmic exploration] in Yaman, one of North India’s most famous ragas. Often the first taught to students, it brings a distinctly balanced set of tensions, capable of producing a vast range of moods. It uses Kalyan thaat [SRGMPDNS], differing from the Western major scale in only one respect - it takes a tivra Ma [sharp 4th], disbalancing the centre of the scale and brightening the sound. Sitarist Shujaat Khan says that Yaman “represents the very flux of life”. Music therapist Thomas Meisenheimer describes the raga as “sensitive and delicate. The augmented fourth [Ma] creates awareness of unresolved anger, disappointments and injuries. The major seventh [Ni] and major third [Ga] are very strong as well and light the fires of longing. Yaman is like an unsolvable koan, an open question…”. Listen to more of Yaman here: -Pravin Godkhindi (bansuri) | www.youtube.com/watch?v=bIFCrhptbxk Recorded at Darbar Festival on Sun 28 Oct 2018, at London’s Barbican Centre: -Shahid Parvez (sitar) -Ojas Adhiya (tabla) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust

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