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Roy Harper - I Hate The White Man

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Income Estimates for Roy Harper - I Hate The White Man

Based on this YouTube video's total view count of 177K views and industry-standard rates, the estimated total earning is $125 - $356 through ad revenue. Historical data is not yet available to calculate daily, weekly, or monthly averages.

About Roy Harper - I Hate The White Man

Explore Roy Harper - I Hate The White Man with 177,991 views, 1,702 likes, and 403 comments. Experience the impact of this video content that has captured audience attention.

Roy Harper - Flat, Baroque And Berserk (1970) Join us ---- https://www.facebook.com/groups/pyramidmtm/ and share the music you love! We do not own anything of this great music. Copyrights own to the artist and Cue Songs [Merlin] PIAS,[Merlin] finetunes. Flat Baroque and Berserk is the fourth album by English folk / rock singer-songwriter and guitarist Roy Harper, and was first released in 1970 by Harvest Records. Flat Baroque and Berserk was the first of Harper's recordings to enter the charts, reaching number 20 in the UK album chart in January 1970. Roy Harper's fourth album found him in an acoustic folkie mode more often than not, though as usual (for circa late-'60s Harper) there were detours into pretty rocky items on occasion. It's not much of either a progression or a slide from the lyrically convoluted, somewhat but not incredibly melodic path he had established with his prior work. "I Hate the White Man," however, is certainly one of his most notable (and notorious) compositions, a spew of lilting verbiage that's hard to peg. It could be irony, it could be ironic self-hatred, it could be muddled reflections on the chaos that is the modern world, or it could be a combination of all of them. There are gentler items, sometimes with subdued harmony vocals and orchestration, that sound rather like Harper's most acerbic side sanded off with edges of Al Stewart, Donovan, or Tim Hardin; "Another Day" is the prettiest of those. The atypical "Hell's Angels," on the other hand, has a twisted, chunky rock feel rather like the solo work of another of producer Peter Jenner's clients, Syd Barrett. Review by Richie Unterberger, Allmusic.com

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